Latest News

Inside London's largest lost property office: From mobile phones to frogs cooked,

The 6,000 items that are delivered weekly to Transport for London’s lost property storage facility include mobile phones, wallets (including rucksacks), spectacles, keys, and rucksacks. There are also some surprises, such as a bag of frogs cooked and an urn containing ashes.

Diana Quaye, manager of Transport for London said that the frogs were not kept.

The frogs, flies, and other perishables are thrown away along with the sandwiches left on the Victoria Line of London Underground, or the chocolate bars on the top decks of buses. Everything else, however, is sorted, labeled, and logged in Transport for London’s east London warehouse.

The biggest lost property office in Europe

Transport for London reports that the warehouse is slightly smaller than a soccer pitch and packed with rows of sliding shelving. It has 45 staff.

The umbrella handles are protruding from one shelf and books are overflowing from another. Meanwhile, hundreds of children's stuffed toys, such as a giant St Bernard dog toy, Rudolph the Red-Nosed Reindeer and other stuffed animals, wait for collection.

A section is dedicated to interesting finds over the years. The flea market has a variety of treasures, including a wedding gown, a fox taxidermy, and an artificial limb.

Only a fifth of the items that are lost in London's underground, overground, black cabs, and buses, are ever recovered. Transport for London holds items for a typical three-month period before deciding whether they will be auctioned or donated to charity.

At Christmas, they give new toys to a charity for children and sports equipment to the local school.

Transport for London kept the urn of cremated remains, which was in a bag, for seven years, before returning it to its German owner.

Quaye stated that the most common culprits of lost property are commuters on buses.

She said, "I don’t know if they get a little relaxed on the bus but they tend leave things on there." (Reporting and writing by Vitalii Yalahuzian, Marissa Davison, Sarah Young. Editing by Conor Humphries.)

(source: Reuters)